I remembered the sheer joy of using it. I had used rangefinders in the past however
that was many years before the M9 came into my photographic life. The closest
camera matching the M9 was a Hasselblad X-Pan as both cameras were of similar
size as to with the lenses. One was film-based the other digital 18-megapixel.
The one drawback I had with the M9 was the print size I was using a Phase One medium format system at
the same time as I had the M9 and was not pleased with the print size
differences. Part of the issue was the difference in sensor size the other was my
own bias. One day I decided the M9 just wasn’t for me and began as a sole
practitioner of medium format. As much as I enjoyed shooting medium format,
first with Phase One then Fujifilm the M9 was never far from my thoughts.
I recently had a huge health scare which also caused a life-altering
effect. While I won’t go into details, I will share a conversation Sandy &
I had about returning to a simpler way.
Sandy shared how she missed shooting her Sony A7r which prompted me to
admit how much I missed the M9.
Camera manufacturers never stand still. We started doing
research and quickly found that Sony now offers their A7r lineup in
60-megapixels. I also found Leica was offering a 60-megapixel M11. Cutting to the
chase, we have sold/traded every piece of Fuji GFX equipment we owned and have
ordered a Sony Ar7 with what we both agree is the best focal length, a FE24-70.
I now have a M11 with a stable of lenses ranging from 15mm to 135mm. And we are
happy.
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